Varlam Salamov - I racconti della Kolyma
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Solo perché sei un Nobel per la Letteratura, o comunque un autore di grande calibro, non significa che tu non possa dire stronzate sul tema.
https://en.wikipedia.org/wiki/Semicolon#LiteratureSome authors have spurned the semicolon throughout their works. Lynne Truss stated that "Samuel Beckett spliced his way merrily through such novels as Molloy and Malone Dies, thumbing his nose at the semicolon all the way," "James Joyce preferred the colon, as he thought it was more authentically classical; P. G. Wodehouse did an effortlessly marvelous job without it; George Orwell tried to avoid the semicolon completely in Coming Up for Air, (1939);" "Martin Amis included just one semicolon in Money (1984);" and "Umberto Eco was congratulated by an academic reader for using no semicolons in The Name of the Rose (1983)." In response to Truss, Ben MacIntyre, columnist in The Times (London), wrote: "Americans have long regarded the semi-colon with suspicion, as a genteel, self-conscious, neither-one-thing-nor-the other sort of punctuation mark, with neither the butchness of a full colon nor the flighty promiscuity of the comma. Hemingway and Chandler and Stephen King wouldn’t be seen dead in a ditch with a semi-colon (though Truman Capote might). Real men, goes the unwritten rule of American punctuation, don’t use semi-colons." In A Man Without a Country, Kurt Vonnegut writes that semicolons are "transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college."
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L'importante č capirsi.
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Ah, le mitiche traduzioni di Ceronetti...
In questo mondo / contempliamo i fiori; / sotto, linferno (Kobayashi Issa)
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Simon Singh - Codici & segreti
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Adelphi vuole la mia morte.
https://www.facebook.com/AdelphiEdiz...04343462968296
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Non ne ho mai trovate.
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[Niente crocchia una tartaruga come] Tolstoj - Sonata a Kreutzer
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