“We have three dialogue skills consisting of lie, intimidate, and persuade. They also have a role in combat. [Perhaps] you kill a creature and that intimidates the rest of the creatures, and they all flee. We wanted to make sure that players who choose dialogue aren’t just focused solely on talking, but that they have advantages in combat and the other gameplay we have as well.”
“We had to pick what we were going to put our time into,” Boyarsky said. “Other people have explored the romance angle in different ways. We felt like sometimes it kind of waters down your roleplaying for your character because it turns into this mini game of how do I seduce this companion or that companion. So it was just one of the things we felt wasn’t really what we wanted to focus our time on. [...] We’re really trying to be focused on a specific experience so that we can polish that experience and give players the best version of that experience that we can.”
“You are not forced to work with him,” Boyarsky said. “You can betray him the first chance you get to the government, and work on their side. You can effectively play the game any way you choose. You can be the hero. You can be anti-hero. You can be a full-on mercenary. You can be psychopathic killer.”

There will be a modicum of character customization options, Boyarsky said, but players should expect a more old-school approach. For instance, you’ll rarely see your character on screen outside the inventory menus. They won’t have even have a voice. That will leave room, he said, for the developers to spend their time and treasure crafting a complex narrative adventure. Early gameplay shows branching dialogue paths with plenty of nuance, a composite of memory mechanics from games like TellTale’s The Walking Dead and stats-based rolls common in isometric RPGs.


- - - Aggiornato - - -