Leggevo che controllando i bilanci, dovrebbe partire 2018 la campagna markenting; quindi magari primavera 2019 esce!
Leggevo che controllando i bilanci, dovrebbe partire 2018 la campagna markenting; quindi magari primavera 2019 esce!
non credo di poter aggiungere qualcosa, disamina perfettaOriginariamente Scritto da Absint
come fossero parole mie
La campagna di marketing è partita nel momento in cui hanno annunciato che sarebbero stati alla fiera. Già per quello tu paghi uno spazio Paghi la pubblicità a dire che ci sei paghi Microsoft e stringe accordi per la visione paghi i diritti musicali per la sola pubblicazione del trailer. Tutto questo minimo gli è già costato qualche milionata di euro. E giusto per capirci il bilancio a cui tu fai riferimento è anno fiscale 2018 che è finito il 30 marzo 2018. Attualmente siamo nell'anno fiscale 2019 che per le aziende non italiane finisce a marzo 2019. Quindi la campagna di marketing è bella che iniziata e non vuol dire assolutamente che arriverà nel 2019 il gioco.
Inviato dal mio FRD-L09 utilizzando Tapatalk
Ultima modifica di Harry_Lime; 13-06-18 alle 11:32
""...Gli ci volle un pò di tempo per ritrovare la forza di alzarsi e appoggiare il piede. Quando ci riuscì, prima di ricominciare la fuga verso casa si voltò di nuovo in dietro. E allora il suo grido disperato risuonò nel silenzio stupore della campagna."
Bon, potete chiudere il topic, quello che doveva essere detto è stato detto
io vorrei sapere se sono partiti subito con l'idea della 1a persona o se sono stati costretti a fare così per via di problemi insormontabili/incapacità di portare il gioco con la 3a, lo vorrei sapere tanto perché mi rassicurerebbe sapere che ci sono partiti dall'inizio, e ovviamente di contro scoprire che "oh cazzo con la 3a è troppo difficile da sviluppare" mi metterebbe ulteriore terrore addosso
in entrambi i casi sarei più sereno nell'attesa
Tanto vale farlo uscire nel 2020 come omaggio in più alla controparte cartacea
This.Tanto vale farlo uscire nel 2020 come omaggio in più alla controparte cartacea
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Absint riscopre l'uso della lingua italiana e della proprietà di linguaggio. INCREDIBILEBon, potete chiudere il topic, quello che doveva essere detto è stato detto
- - - Aggiornato - - -
per me, visto che la fase di shooting è parecchio importante, sono andati diretti sulla prima personaio vorrei sapere se sono partiti subito con l'idea della 1a persona o se sono stati costretti a fare così per via di problemi insormontabili/incapacità di portare il gioco con la 3a, lo vorrei sapere tanto perché mi rassicurerebbe sapere che ci sono partiti dall'inizio, e ovviamente di contro scoprire che "oh cazzo con la 3a è troppo difficile da sviluppare" mi metterebbe ulteriore terrore addosso
in entrambi i casi sarei più sereno nell'attesa
Anteprima.
Lo metto in spoiler
Inviato dal mio Lenovo P2a42 utilizzando Tapatalk
azz le preoccupazioni sono state così tante da spingere loro stessi a fare rassicurazioni?This.
Inviato dal mio Lenovo P2a42 utilizzando Tapatalk
Gli ho linkato su chat le preoccupazioni del forum dei tiggiemmemmaeri.azz le preoccupazioni sono state così tante da spingere loro stessi a fare rassicurazioni?
Hanno risposto subito
Inviato dal mio Lenovo P2a42 utilizzando Tapatalk
Beh non hanno dato i dividendi ai soci per future spese...è una cosa diversa.
Per me nel 2019 esce poi si vedrà.
Info:
Relative to the world of The Witcher 3, how does Night City compare size wise?
Patrick Mills: In terms of specific size, it's really difficult to tell because Witcher 3 was flat, and our game is very vertical. You've got a footprint in Witcher 3 and that's it. But our game just goes up and up and up and up. So we can put a lot of stuff in there. It's going to be really dense.
We've got six districts. You just saw a little bit of Watson, which is a fallen corporate giant. Each district will feel distinct. There will be a lot to see and a lot to do. It's very big. It's very big.
But you're not putting a size on it?
Patrick Mills: We can't put a number on it yet. We're still building it. It's difficult to say exactly how big it's going to be and we don't want to put any numbers on it. But it's going to be huge.
You can drive a car...
Patrick Mills: Yes. You can drive a car. You can drive a motorcycle and of course you can get around on foot. That's what we're willing to talk about right now.
Can you run over pedestrians? How much chaos can you cause?
Patrick Mills: You can cause a decent amount of chaos. We're not ready to talk about exactly how those systems are going to work, but you can cause chaos. You can run over pedestrians. However, it's not the game of that. It's the game of being a mercenary. We'll have more to share later in that respect.
Witcher 3, we did have Roach. You could ride around on Roach and get from place to place. And he was cool, but he wasn't as integrated into the world as we want the cars and the motorcycles to be. You saw in the demo, we've got that bit where there's a combat sequence. That stuff was possible in Witcher 3, but we didn't rely on it very much. It's going to be a much bigger focus in this game to have this sort of vehicular combat going on. You asked about chaos - the chaos you saw when the Scavengers show up while you're driving, that's what we're looking for.
There are a huge number of dialogue choices in the game, but to what extent can you affect the overarching story?
Patrick Mills: It's not a linear story. We want to do the same thing we did with Witcher 3, which is have really involved choice and consequence. In terms of the demo you saw, there are several different ways to approach that encounter with Maelstrom to buy the bot. You can go in there guns blazing. You can go and talk to them. There are a few other things we want to save - we don't want to talk about them, but they will be in the game.
We also want to have those choice and consequences that I think were greatest in Witcher, which were the ones where you make the decision not knowing what the outcome was going to be, and you have to go with your gut and figure out exactly what you want, and then later you see the consequences. We want a lot of that here. And you will be able to affect the main story pretty significantly.
It's called Night City, but we've only seen it in day time. Why show it in that light?
Patrick Mills: The dark city streets, the rain slicked streets, those are great. And those are in our game. We absolutely do have those. There is a day/night cycle. There's a weather system. All of that.
Thematically, one of the things about this sort of look, this sort of sun-bleached cyberpunk look is the crimes of this world, the worst things that happen, they happen in broad daylight. They happen and everybody knows they happen. You don't need the cover of darkness to get away with the things people get away with in this world.
Does it have any of the Bladerunner-established cyberpunk tropes, such as eating noodles at night in the rain?
Patrick Mills: That is there for sure. You will see those things, but it's not the only thing you see. We want to have a little bit more variety. We want to have depth and broaden that out. If you look at our trailer from 2012 and you look at the trailer now, both of those, they're in the same world. Those are both in the same world. Even though they are different art styles, we've gone from that art style and we've branched out from there. So we've got a lot more variety. We want it to feel like a real city, an international city and a city that's alive. If it's dark all the time, I don't know if I'd believe that.
Would you agree with the suggestion that the game has an 80s vibe to it?
Patrick Mills: There is an 80s influence, for sure. But we don't limit ourselves to just the 80s. You've also got influences from other eras, and of course from other types of sci-fi and cyberpunk. We've got lots of influences in there. We really want this city and the people in it to be vibrant and alive. What you're gonna see in the game is a mix of all sorts of art styles to create almost a wall of culture. It's like a wall of noise to just blast at you and make you feel like you're in this alive, vibrant place. It's also an international place, as I mentioned before. You have a lot of different influences from different cultures all around the world.
When the camera pulled back to show the car in third person, I thought of Grand Theft Auto. Is that a fair comparison for you?
Patrick Mills: It is a comparison that is, on the surface level, really looks like it. GTA 5 took place in California and our game takes place in California as well. You see it and there are similarities. But it's not the same kind of game. We are an RPG. We're a non-linear RPG with a character you control and you create. In terms of how we build quests, that's distinctly us, and you're going to get that. We would really want you to look more at Witcher 3 in terms of what you're going to get from this.
Will you get phone calls from people offering you quests?
Patrick Mills: You can expect a variety of things. In the Cyberpunk world there are these people called Fixers. The thing about Fixers is they're the brokers of the mercenary life. They're the ones who arrange for mercenaries to be brought in to solve problems. You're going to get some of those jobs from talking to Fixers.
Sometimes you'll see things on the street that you want to get involved in. We've got a variety of different ways to draw you into quests. We don't want it to just be, drive to this location or just call this guy and get a quest. We want it to feel alive and immerse you in the world.
The demo showed off an incredible amount of detail in an urban-focused part of the city. Do other areas have a different vibe, perhaps areas that are more out in the open?
Patrick Mills: We have a variety of districts. The one you saw was Watson. But we also have a slums area. We have an area with rich mansions. The districts should all feel distinct. Some of them may feel a little bit more sedate. They aren't. It's just hiding. Those places are just as dangerous as everywhere else in Night City, but for different reasons.
We want Night City to feel like one of the characters in the game, and it has different faces it puts on. But that city is always out hunting for you. That scene in the demo where she leaves the mega building - one of the things I like about that scene is you walk out of that and it's almost like you're walking into a mouth. It's like you're walking into the mouth of the city and it just closes in around you and you find yourself drowning in it. You'll get different experiences in different districts.
Does it have that Witcher thing of, if you can see it you can go to it?
Patrick Mills: Yeah. Obviously every game has an end, but yes. I don't want to mislead you into thinking you can go into every building. We want to concentrate on that hand-crafted detail. We're not using procedural generation. But we want to make sure that if you see some place interesting, you can go there and experience it. We don't intend to put up any kind of artificial barriers to prevent you from moving around the city. It's very much like The Witcher.
Is Cyberpunk 2077 a purely single-player game?
Patrick Mills: Yes, it is.
So there's no multiplayer whatsoever?
Patrick Mills: We have multiplayer in R&D, but the game we're shipping to you, the game you're going to buy is the single-player experience. That's really what we're concentrating on now, the single-player RPG experience. That's what we want to nail down before we start looking at any of these other things.
So when you say you've got multiplayer in R&D, do you mean in relation to Cyberpunk 2077, or just generally at the studio?
Patrick Mills: In relation to Cyberpunk as well as just generally at the studio.
So maybe multiplayer will come post-launch?
Patrick Mills: Maybe, no promises. Nothing at launch. At launch we're concentrating on the single-player game. That's what we want to give you.
Your partner in crime, Jackie, is an impressive AI partner who at one point picks up a car and uses it as a shield. Is he your constant companion throughout the game?
Patrick Mills: For most of this game - I don't know exactly what the ratios are going to be - you are a solo player. You're a single mercenary who goes and does mercenary jobs. You will be joined on many of those jobs with other people, but it's not a game where you have like a party or anything like that.
So he's not your constant partner?
Patrick Mills: He's not your constant partner. Of course, he's there for certain story parts, like you saw in Maelstrom. We'll have many sequences like that, but we are concentrating on the solo experience.
We saw V's apartment. Is that your home base you can return to?
Patrick Mills: That is your home base at the beginning of the game. Across the course of the game you will be able to purchase additional locations you can use as your home base. It's too early to talk about too many details about that system, but we do plan on having that.
We got a glimpse at what you're able to do in your apartment.
Patrick Mills: You can suit up, check your computer. In the demo the quest log up in the corner says, get your gun, get your katana, check your email.
It looks like a place for you to take people back for some fun.
Patrick Mills: Certainly. Certainly that. There are definitely romantic encounters in the game, both long-lasting romantic situations and also one-night stands, as you saw in the demo.
You can play as a man or a woman. Does the game play significantly differently depending on whether your V is a man or a woman? Is the story significantly different? Are the romances different?
Patrick Mills: Certainly the romances will be different. While many of the characters you can romance in our game are bisexual, not all of them are. They have preferences as well. We want them to feel like living people with histories.
In terms of how the story changes, we don't want to reveal too many story details, but there will be differences.
V looks pretty agile, with a mantle and a wallrun. How far do her movement powers go?
Patrick Mills: We're not doing anything superhero level, but the cyberware will give you superhuman abilities. You saw a few of those. There will be a lot more. What you saw in the demo was a fast solo style gameplay. In this universe, a combat character is known as a solo. We have a couple of different varieties of how to do that particular thing. What you were seeing there was a bit of that very agile combat, but we also have the strong solo who can knuckle down. Jackie, for example, would be considered a strong solo.
Can you pick a class, eventually?
Patrick Mills: It's a fluid class system. In the original 2020 there were many classes. We went into the 2020 book and we pulled out three we thought would fit really well with our game. But, unlike with the original 2020 where you're locked into one of those things and then could pick and choose a bit, in ours we want you to be able to pick and choose very fluidly and freely to play the way you want to play.
What were the three?
Patrick Mills: Solo, Techie, which concentrates on gadgets and machinery, and Netrunner. In the demo you saw T-Bug - she was just in the corner - but she's a Netrunner. They're the ones who plug into the network. There was a bit of Netrunner gameplay in the demo where she grabbed the Maelstrom guy and jacked into his head. Those three.
You appear to be able to talk your way through a lot of tense situations. There are engineering and hacking skill checks. Is speech also a skill check?
Patrick Mills: We don't want to gate speech behind particular classes or anything like that. We want that to be about the story and about your choices in the story.
What platforms will Cyberpunk come out on?
Patrick Mills: The game will be coming out on Xbox One, PS4 and PC. At the moment.
Have you guys settled on a year you want to release the game?
Patrick Mills: Not that I could give you. When it's done!
La cosa importante che esce per ps4!
Se ci va bene uscirà nel 2020
Inviato dal mio Lenovo P2a42 utilizzando Tapatalk
Certo con queste premesse, contaci.
atrick Mills: The game will be coming out on Xbox One, PS4 and PC. At the moment.
Have you guys settled on a year you want to release the game?
Patrick Mills: Not that I could give you. When it's done!Inviato dal mio FRD-L09 utilizzando Tapatalk
""...Gli ci volle un pò di tempo per ritrovare la forza di alzarsi e appoggiare il piede. Quando ci riuscì, prima di ricominciare la fuga verso casa si voltò di nuovo in dietro. E allora il suo grido disperato risuonò nel silenzio stupore della campagna."
Al prossimo E3 potrebbero mettere la data con un altro trailer sbavoso.
A quel punto con il 2020 così vicino, la tentazione di farlo uscire anche solo come trovata pubblicitaria sarebbe davvero forte
Anche perché magari fanno uscire anche il GDR cartaceo rinnovato.
Un brend che dovrà durare come la saga di The Witcher con grandi espansioni, magari con nuove città e miglioramenti.
Potrebbe seguire la linea di Assassin's Creed in salsa CR Project...
Implementando bene il multiplayer sarebbe un gioco dalle infinite possibilità.
Era meglio che non vedevo nulla avrò l'hype ancora per parecchio tempo. Bastardi
Inviato dal mio Lenovo P2a42 utilizzando Tapatalk
Ultima modifica di Shun Nagall; 13-06-18 alle 20:59
Ultima modifica di Bishop76; 13-06-18 alle 21:42
Se ancora non sanno neppure quanto sarà grande la città, c'è da aspettare veramente fino al 2020
Che ci fai ancora qui? Dovresti andare a spammare donnine nel topic di cyberpunk 2077.Se ancora non sanno neppure quanto sarà grande la città, c'è da aspettare veramente fino al 2020
Hai visto? Nel trailer ce ne erano pochissime. E mancava la protagonista del trailer precedente.
Inviato dal mio Lenovo P2a42 utilizzando Tapatalk
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